An ode to the freedom of creativity in times of the Coronavirus and a transcendental, passionate work with a tongue-in-cheek penchant for madness. Classic B-movie and classic art enter a wild marriage.

Fiction and documentary merge in a film that takes your breath away. Maitland lets us partake in the horrific events of August 1966, when America's first mass shooting shocked a nation.

Mattie Do is one of the most exciting filmmakers of our time, and her third film is a magical ghost story that dreamily stands alongside Peter Weir's »Picnic at Hanging Rock«: a film so beautiful it becomes addictive.

Dennis Hauck transforms the world of a private detective into a wildly woven tableau of Southern California and its lost souls. Lead actor John Hawkes turns a story about a missing woman into a moving portrait of a lost man in this mesmerizing neo-noir.

»Love Express« opens the door to a fascinating look at the work of the legendary Polish auteur Walerian Borowczyk, who oscillated between genius and pornography. The documentary reveals intimate insights through interviews with his closest collaborators and leading intellectuals like Terry Gilliam, Bertrand Bonello, and Andrzej Wajda, casting his work in a new light.

A wonderfully zany group of people searching for happiness and a handful of runaway lab rabbits. The duo Metschurat-Wilson's infectious zest for craziness is reminiscent of Howard Hawks' »Bringing Up Baby«.

17 failed suicide attempts meet 108 successful murders. What sounds like a happy, albeit short encounter, quickly becomes a wonderfully subversive comedy that leaves viewers utterly enchanted.

The secret love affair of a teacher with her student turns against her when she discovers she can no longer live without him.

A wonderfully comedic and imaginative Western musical that ignores genre boundaries and casually dismisses apparent physical deficiencies and language barriers. An inclusive powerhouse with a diverse cast that already captivates as a narrative element.

Berlin at the end of the millennium. Techno beats set the rhythm as a handful of people surf through the metropolis on a fateful night, searching for the ultimate kick, intertwining their destinies until a shot is fired that will feel like salvation.

Just as Eliezer wants to give his life a fresh start, he meets the eccentric Anya, with whom he shares an obsessive passion for pulling out and eating hair. Xander Robin sensitively crafts a story that is not exactly easy to digest.

The hero of the Beat Generation in a magnificently filmed literary adaptation. Michael Polish combines indie spirit and grand poetry in Big Sur.

If Raymond were a character in his own novel, he would be an unreliable narrator. But his own novel is just a blank sheet of paper. Guy Longstreet's grand contribution to the mindfuck genre is formally staggering and austere at the same time.

Sabine Timoteo and Doro Müggler have created a story of death and rebirth. A wild, little piece of underground cinema, born from the unbridled urge to simply let things happen.

In a dystopian post-pandemic reality, only a group of gender-fluid characters survive. A grotesque funeral for the last woman on earth reveals the true nature of modern society and heralds a new era. A caricature of a far-right nightmare unfolds before our eyes.

No matter how bleak the setting or how heartbreaking the story is, some films are so carefully, intensely, and lovingly crafted that they exude a power far beyond the confines of story and theme. »Familiye« is one such film.

For 18 months, Pasha Rafiy accompanies Jean Asselborn, providing a fascinating look into the work and depths of international politics. His protagonist, affectionately called "Jang" by the Luxembourgers, has the makings of a screen hero.

An unforgettable night. A single spectacular shot. We follow the stories of people from different worlds who merge in the chaos of street battles. A breathtaking film.

A wonderfully zany group of people searching for happiness and a handful of runaway lab rabbits. The duo Metschurat-Wilson's infectious zest for craziness is reminiscent of Howard Hawks' »Bringing Up Baby«.

Sarah Silverman's brutally honest portrayal of a wife and mother who cannot face her problems and numbs her pain with compulsively destructive behavior is simply riveting.

While the world revels in cat videos on Facebook, Aaron must defend himself against an enraged mob that frames him as the epitome of evil, revealing a deeply personal journey that challenges the viewer's perceptions and beliefs.

»Love Express« opens the door to a fascinating look at the work of the legendary Polish auteur Walerian Borowczyk, who oscillated between genius and pornography. The documentary reveals intimate insights through interviews with his closest collaborators and leading intellectuals like Terry Gilliam, Bertrand Bonello, and Andrzej Wajda, casting his work in a new light.

A more than entertaining expedition on the thin line between documentary and surrealism, so tough, dark, and grotesque that it inevitably recalls the legendary Belgian mockumentary »Man Bites Dog« from the 90s.

Mattie Do is one of the most exciting filmmakers of our time, and her third film is a magical ghost story that dreamily stands alongside Peter Weir's »Picnic at Hanging Rock«: a film so beautiful it becomes addictive.

The true story of Argentina's most notorious sex offender, who was proven to have committed at least 93 rapes between 1985 and 2004. Situated between true crime and docudrama, Colman has created a film like a punch in the gut.

An ode to the freedom of creativity in times of the Coronavirus and a transcendental, passionate work with a tongue-in-cheek penchant for madness. Classic B-movie and classic art enter a wild marriage.

Sophie Linnenbaum leads the audience into a magical fictional world with a society consisting of glorious main characters, pale supporting characters, outcast outtakes, and hierarchically oppressed characters with film errors.

Dennis Hauck transforms the world of a private detective into a wildly woven tableau of Southern California and its lost souls. Lead actor John Hawkes turns a story about a missing woman into a moving portrait of a lost man in this mesmerizing neo-noir.

Fiction and documentary merge in a film that takes your breath away. Maitland lets us partake in the horrific events of August 1966, when America's first mass shooting shocked a nation.

The long Steadicam shots following Slav on his path to redemption are hypnotic and electrifying. Nikola Rakocevic brings this Slav to the screen with an explosive energy reminiscent of the young Pacino or De Niro in »Taxi Driver«.

The barren landscape, rugged mountains, and seemingly endless coast are like soulscapes in which the characters must lose themselves. A visually stunning, epic work about the fragility of a young life.